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Student papers
week
1, 9 Sept.
Defining languages of designs
week 2, 16
Sept.
Generativity in the Yingzao fashi
week 3,
23 Sept.
Defining style formally: shape grammar
week
4, 30 Sept.
The plan diagram in the Yingzao fashi
week
5, 7 Oct.
The plan diagram in extant buildings
week
6, 14 Oct.
The section diagram in extant buildings
week 7, 21 Oct.
Field trip to Chi Lin temple and Wong Tai Sin
week 8, 28
Oct.
Paper topic due
week 9, 4 Nov.
Consultations
week 10, 11 Nov.
Consultations
week 11, 18 Nov.
Consultations
week 12, 25 Nov.
Consultations
week 13, 2 Dec.
Review week
TBA
Paper due
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3 units, elective
Thursdays 9:30 am – 12:15 pm
Andrew I-kang Li, instructor
Room 518, Wong Foo Yuan Building
Phone 2609-6553
Email andrewili@cuhk.edu.hk
Course description
This course is an introduction to the domain and method of the instructor’s
current research. The domain is Chinese wood-frame architecture; the method
is computational. With a computational approach, we can understand the
Song building manual Yingzao fashi 營造法式 as
a definition of a collection or language of designs, and extant buildings
as designs in a language. The computational approach also gives us ways
to articulate the definition of the language; describe the designs; consider
whether these are the same designs in the same language; and even consider
what same means.
Students will learn the fundamentals of shape grammar and other computational
methods, read selections from the Yingzao fashi,
read field reports of extant buildings, and analyze selected buildings
through the Yuan.
Goals for students
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Learn about the Yingzao fashi. It is not
just a laundry list of obscure terms; it is a window into a sophisticated
approach to architecture.
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Learn to handle primary materials in Chinese architectural history.
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Learn to use shape grammar and other tools of computational analysis.
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Gain skill in doing and writing research.
Course structure
The main deliverable of this course is a paper presenting a formal discussion
of some aspect of Chinese wood-frame architecture. To help you write this
paper, the course is structured in the following way. In each of the first
five classes, we discuss one analytical technique or one piece of the
argument or knowledge base; each week you do an exercise or write a short
paper (sometimes both). These short papers and analyses form a foundation
from which you can conduct your own research. By breaking the single large
task into several smaller ones, you should produce a better paper with
less effort. In fact, if you have never written a long paper, this will
be good training.
Listed below are paper topics currently under consideration; the exact
wording will be given later. Other topics are possible with approval.
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Implement a shape grammar for a given language of designs, using
software such as Flash or Autocad with Autolisp.
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Define a language of designs with reference to extant buildings.
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Examine one extant building. Compare and contrast with the Yingzao
fashi, using shape grammar.
Writing
Writing is important for communicating, not only to others, but also
to yourself, that is, as a tool for critical thinking. Writing is difficult
but rewarding. Because it is both difficult and important, you will have
many opportunities to practice. Good writing is good thinking; assignments
are evaluated accordingly.
Evaluation
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Weekly assignments 40%
-
Final paper 60%
Classroom policy
Attendance at all classes is expected except in case of illness or family
emergency. Late assignments will be marked down. Beepers and phones which
sound during class will be confiscated until 5:00 p.m.
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